|
DVDs about Love
Love stories on DVD
Herbie the Love Bug Collection (The Love Bug/Herbie Goes to Monte Carlo/Herbie Goes Bananas/Herbie Rides Again)
|
Herbie the Love Bug Collection (The Love Bug/Herbie Goes to Monte Carlo/Herbie Goes Bananas/Herbie Rides Again)
This savvy Disney hit from 1969 made a star of a Volkswagen precisely when the car was becoming more popular than ever. Dean Jones and Michele Lee head the cast in a story about a VW bug with a mind of its own. Disney point man Robert Stevenson, director of The Absent-Minded Professor, Mary Poppins, and lots of other Disney live-action hits, makes the slapstick work perfectly and keeps the laughs coming. Buddy Hackett is very funny in a supporting role. The first sequel, Herbie Rides Again (1974), is similar enough to the first film's charm and raucous comedy that it works on its own. Neither Dean Jones nor Michelle Lee are back, but a nice cast of familiar pros (including Disney vet Ken Berry) keeps things moving along slickly. The story finds Herbie helping Helen Hayes--yes, the First Lady of the American Theater--keep out of the clutches of Keenan Wynn's villain. Dean Jones came back to the fold for this third lap around the block, Herbie Goes to Monte Carlo (1977), which finds him racing in the famed city while thieves plant a stolen diamond in Herbie's gas tank. The plot is forced and conventional, but the cast is the thing: the excitable Don Knotts (The Apple Dumpling Gang) and the tormentable Roy Kinnear (Mr. Salt from Willy Wonka & the Chocolate Factory) are good men to have in a potboiler such as this. The fourth movie, Herbie Goes Bananas (1980), is a wooden story about Herbie's funny adventures heading toward a race in Brazil. Charles Martin Smith and Steven W. Burns try hard to bring some life into this project, but it just doesn't happen. There is one good laugh in the whole thing, in a scene where Herbie becomes a matador. Otherwise, even the picturesque, south-of-the-border stuff doesn't help. Harvey Korman and Cloris Leachman star. --Tom Keogh
|
Love Comes Softly
|
Love Comes Softly
Writer/director Michael Landon Jr. continues in his famous father's footsteps by creating moral family entertainment set in the early days of the American prairie. Stubborn Marty Claridge (Katherine Heigl, Grey's Anatomy) travels west with her new husband--but after they find a beautiful patch of land, her husband dies in an accident before they've even started building. A man named Clark (Dale Midkiff, Air Bud: World Pup) makes a proposal: If Marty will enter into a platonic marriage with him, he'll pay for her passage back east in the spring. What Clark needs is a mother, however temporary, for his willful tomboy daughter Missie (Skye McCole Bartusiak, Beyond the Prairie, Part 2). Missie fights Marty's presence fiercely while Clark, though supportive, speaks few words, and Marty suspects she's made a terrible mistake--but time reveals otherwise. Love Comes Softly, based on the popular Christian novel by Janette Oke, is a romance, but Landon carefully avoids any bodice-ripping histrionics. Problems get solved perhaps a little too easily, but the movie is cleanly written, pleasantly understated, and respectful to its characters. For many viewers, Love Comes Softly will be a welcome change from overheated secular love stories. --Bret Fetzer
|
Love's Enduring Promise
|
Love's Enduring Promise
Set in a frontier world of bonnets and one-room schoolhouses, Love's Enduring Promise follows a headstrong young teacher named Missie (January Jones, Bandits), the daughter of Clark and Marty Davis (Dale Midkiff and Katherine Heigl) from previous prairie romance Love Comes Softly. After Clark injures himself in a woodcutting accident, the family farm is in danger of failing--until a handsome young stranger (Logan Bartholomew) helps out. Missie finds herself drawn to this man, but the intelligence and graciousness of young railroad magnate (Mackenzie Austin, How to Deal) appeals to a side of her that yearns to go beyond the hills and valleys of her childhood. What could be romantic froth becomes a quiet, well-paced, and thoughtful love story, thanks to a solid script, capable performances, and clean direction. Jones is particularly engaging; Missie could have been blandly virtuous, but Jones draws a rich and subtle range of emotions out of her scenes. Religious viewers will appreciate the movie's commitment to wholesome storytelling and clear moral perspective. Love's Enduring Promise, like Love Comes Softly, is based on a novel by Christian writer Janet Oke, though Love's Enduring Promise departs more from its source. --Bret Fetzer
|
Love Story
|
Love Story
Strife-torn America wanted a meat-and-potatoes romance in the late '60s, and the country embraced Erich Segal's slim, generic-sounding novel in a big way. It did so again for the film adaptation in 1970, starring Ryan O'Neal as a law student who defies his rich and powerful father (Ray Milland) on every issue, including the former's love for a music student (Ali MacGraw). The two marry, start life together...and then the Grim Reaper turns up at the door. Directed by Arthur Hiller (The In-Laws), the film ends up lacking the kind of stylistic boost that might have made it a must-see for the ages. But its faithfulness to the book's uncomplicated and, yes, moving intentions is pretty solid. O'Neal is convincing as a nice guy who's as bullheaded in his own way as his steely father (a nice job by Milland), and MacGraw has a way of getting under one's skin. A viewer just has to try not laughing at the refrain, "Love means never having to say you're sorry." --Tom Keogh
|
Heartbreakers
|
Heartbreakers
Heartbreakers wants to be a distaff variation of Dirty Rotten Scoundrels, compensating for lack of intelligence with ample cleavage provided by Sigourney Weaver and (especially) Jennifer Love Hewitt. This alone should draw plenty of drooling guys who will enjoy the scenery and affirm the movie's depiction of men as lecherous idiots. And what scenery it is! Gussied up in trampy glamour, Weaver and Hewitt play mom-and-daughter grifters with a devious routine: Max (Weaver) lures wealthy cads into marriage, and then daughter Page (Hewitt) seduces them, so Mom can discover the infidelity and fleece the chump in divorce court. They've just scammed the boss of a hot-car ring (Ray Liotta) and now it's on to Palm Beach, Florida, where they'll dupe a wheezing tobacco baron (Gene Hackman) and retire to the good life. Or so they think... Armed with the same airheaded humor he brought to Romy and Michele's High School Reunion, director David Mirkin relies on the clichéd notion that sex turns all men into morons--a conceit that would have worked if the dialogue and sitcom antics were more convincing. As Page's would-be paramour, Jason Lee is rendered intellectually inert, and it's hit-or-miss from that point forward. When the humor hits--as it does with Nora Dunn's rendition of a horrible housemaid--Heartbreakers hints at its full potential. Additional plot twists--not to mention Hewitt's microskirts and Wonderbras--may hold your attention, but you may find yourself harkening back to Steve Martin, Michael Caine, and those happier high jinks on the French Riviera. Singer-songwriter Shawn Colvin has a cameo role as the wedding priest. --Jeff Shannon
|
My Summer of Love
|
My Summer of Love
There's a tantalizing touch of irony in the title My Summer of Love, since this superbly-acted relationship drama reveals much more than love between its curiously fascinating characters. As directed by Polish-born Pawel Pawlikowski (a veteran of British TV documentaries whose previous film was the praiseworthy Last Resort), this unconventional love story is an engrossing exercise in mood and psychology, set in a bleak but invitingly sunlit village in Yorkshire. It's there that lonely, working-class teenager Mona (Nathalie Peess) encounters rebellious rich-girl Tamsin (Emily Blunt), and their unlikely friendship grows intimate... but is it really love? Or is Tamsin (who was suspended from boarding school) merely indulging her clever penchant for emotional manipulation during a lazy summer of privilege? Mona's born-again Christian brother (Paddy Considine) factors into the film's languorous mood and complex emotional landscape; this is a film in which love and loss are inseparably intertwined, and motivations remain partially hidden, making it all the more powerful when guarded truths are revealed. In addition to being a compelling study of class distinctions, My Summer of Love includes scenes of anxious menace and some unexpected surprises, packing more into 84 minutes than most films manage in two hours or more. Pawlikowski was listed among "10 directors to watch" in a 2005 article in Variety, and My Summer of Love validates that acclaim. --Jeff Shannon
|
|
|
