Videos about Love Stories
Love stories in videos and movies.
Love's Enduring Promise
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Love's Enduring Promise
Set in a frontier world of bonnets and one-room schoolhouses, Love's Enduring Promise follows a headstrong young teacher named Missie (January Jones, Bandits), the daughter of Clark and Marty Davis (Dale Midkiff and Katherine Heigl) from previous prairie romance Love Comes Softly. After Clark injures himself in a woodcutting accident, the family farm is in danger of failing--until a handsome young stranger (Logan Bartholomew) helps out. Missie finds herself drawn to this man, but the intelligence and graciousness of young railroad magnate (Mackenzie Austin, How to Deal) appeals to a side of her that yearns to go beyond the hills and valleys of her childhood. What could be romantic froth becomes a quiet, well-paced, and thoughtful love story, thanks to a solid script, capable performances, and clean direction. Jones is particularly engaging; Missie could have been blandly virtuous, but Jones draws a rich and subtle range of emotions out of her scenes. Religious viewers will appreciate the movie's commitment to wholesome storytelling and clear moral perspective. Love's Enduring Promise, like Love Comes Softly, is based on a novel by Christian writer Janet Oke, though Love's Enduring Promise departs more from its source. --Bret Fetzer
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Love Actually
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Love Actually
With no fewer than eight couples vying for our attention, Love Actually is like the Boston Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his screenplays: He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection. With Love Actually, Curtis orchestrates a minor miracle of romantic choreography, guiding a brilliant cast of stars and newcomers as they careen toward love and holiday cheer in London, among them the Prime Minister (Hugh Grant) who's smitten with his caterer; a widower (Liam Neeson) whose young son nurses the ultimate schoolboy crush; a writer (Colin Firth) who falls for his Portuguese housekeeper; a devoted wife and mother (Emma Thompson) coping with her potentially unfaithful husband (Alan Rickman); and a lovelorn American (Laura Linney) who's desperately attracted to a colleague. There's more--too much more--as Curtis wraps his Christmas gift with enough happy endings to sweeten a dozen other movies. That he pulls it off so entertainingly is undeniably impressive; that he does it so shamelessly suggests that his writing fares better with other, less ingratiating directors. --Jeff Shannon
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The Love Bug
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The Love Bug
The box office success of Disney's 1969 classic The Love Bug inspired a slew of Herbie sequels, and, ultimately, this 1997 remake. Though remakes occasionally best the original (consider Disney's The Parent Trap), this one does not. It is difficult to match the talents of the original cast--namely Dean Jones, Buddy Hackett, and David Tomlinson. At least the car hasn't diminished during its 30-year absence. Herbie is still the smart, quirky Volkswagen Beetle with the same affinity for fast driving and rescuing arrogant-but-charming, washed-up racecar drivers to give them a new life and a new love. In this case, Herbie's progeny is Hank Cooper (played by hunky Bruce Campbell of the Evil Dead trilogy), who acquires Herbie by lottery from the junkyard. Herbie comes to life and begins his usual shenanigans, from popping wheelies to slamming his trunk on the fingers of evildoers, primarily one Simon Moore III (John Hannah). This wealthy, wicked numbskull sold Herbie before realizing his powers and now seeks revenge by creating Herbie's evil twin--a menacing black Beetle. The rest of the story repeats history, yet does so with passionless drudgery. Thankfully, there are two notable highlights: one, a brief cameo appearance by Jones (Herbie's owner, Jim Douglas, from the original film) who lends his larger-than-life persona for an all-too-brief moment; the other, Kevin J. O'Connor, who plays Herbie's eccentric and faithful mechanic, and does so with earnest zeal. The film's slapstick humor and happy ending make for solid family entertainment, but the original reigns supreme. --Lynn Gibson
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Thing Called Love
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Thing Called Love
If there was a universal collective, albeit repressed, dream, it would probably be to become a successful singer. People would take that singing in the car, singing in the shower, and even singing in the rain, and have it be their life's love and work. The Thing Called Love uses this popular aspiration as its setting and examines the lives of four young people hoping to make it in the country music universe. At the center is earnest Miranda Presley--no relation--(Samantha Mathis), the pretty but untalented Linda Lue (Sandra Bullock), the intense and talented James (River Phoenix), and the sweet and prolific Kyle (Dermont Mulroney). Popular country stars make appearances: K.T. Oslin (as Lucy, the owner of the Bluebell, where open-mike auditions are held), Jimmie Dale Gilmore, Katy Moffatt, Jo-El Sonnier, Pam Tillis, Kevin Welch, and even Trisha Yearwood. The film's not merely focused on the rich musical milieu and its talented cast. It also carefully examines the dynamic between friends who are also competitors, as well as a realistic love triangle between the leads. The Thing Called Love is primarily known as one of River Phoenix's last performances, but even if curiosity alone brings audiences to the movie, they'll soon be drawn into the fresh tale of four young people pursuing their dreams. --N.F. Mendoza
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Love Letter (1998)
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Love Letter (1998)
No one with romantic tendencies will be able to resist The Love Letter. Campbell Scott plays a Civil War buff who buys a desk from that era. While polishing it, he discovers a secret compartment, in which sits an unmailed letter--a letter written by a young woman named Lizzie (Jennifer Jason Leigh) over a century earlier. Touched by her yearning for passion, he writes her back, egged on by his mystically inclined mother (Estelle Parsons). Magically his letter reaches Lizzie and they begin a correspondence that threatens Scott's impending marriage but promises to bring fulfilment to Lizzie. The Love Letter is absurd, yet somehow that doesn't stop it from being completely engaging and even moving. Scott and Parsons are solid, while Jason Leigh is downright rapturous--the movie may owe its success to her. The plot has surprising twists and the conclusion is sweet and satisfying. An unexpected pleasure. --Bret Fetzer
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The Love Bug
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The Love Bug
This savvy Disney hit from 1969 made a star of a Volkswagen precisely when the car was becoming more popular than ever. Dean Jones and Michele Lee head the cast in a story about a VW bug with a mind of its own. Disney point man Robert Stevenson, director of The Absent-Minded Professor, Mary Poppins, and lots of other Disney live-action hits, makes the slapstick work perfectly and keeps the laughs coming. Buddy Hackett is very funny in a supporting role. --Tom Keogh
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Love Story
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Love Story
Strife-torn America wanted a meat-and-potatoes romance in the late '60s, and the country embraced Erich Segal's slim, generic-sounding novel in a big way. It did so again for the film adaptation in 1970, starring Ryan O'Neal as a law student who defies his rich and powerful father (Ray Milland) on every issue, including the former's love for a music student (Ali MacGraw). The two marry, start life together...and then the Grim Reaper turns up at the door. Directed by Arthur Hiller (The In-Laws), the film ends up lacking the kind of stylistic boost that might have made it a must-see for the ages. But its faithfulness to the book's uncomplicated and, yes, moving intentions is pretty solid. O'Neal is convincing as a nice guy who's as bullheaded in his own way as his steely father (a nice job by Milland), and MacGraw has a way of getting under one's skin. A viewer just has to try not laughing at the refrain, "Love means never having to say you're sorry." --Tom Keogh
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Unconditional Love (Dol Slip)
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Unconditional Love (Dol Slip)
Despite the success of My Best Friend's Wedding, Aussie director P.J. Hogan certainly hasn't gone Hollywood. Unconditional Love, co-written with his wife and fellow filmmaker Jocelyn Moorhouse, is a deeply eccentric concoction that ranges from campy comedy to murder mystery. If the whole thing doesn't really come off, it does have much that is funny, giddy, or simply weirder than all-get-out. Kathy Bates enjoys herself as a discarded wife who impulsively flies to England to attend the funeral of her idol, a beloved singer--Jonathan Pryce, in glorious sequined form. Meeting his "valet" (read: secret gay lover), Rupert Everett, she determines to find the dead man's murderer. It's hard to get the tone right on this kind of movie, but it's also easy to like a film that finds time for tributes to Barry Manilow (hey, Hogan rehabilitated ABBA in Muriel's Wedding) and the reassuring spirit of Julie Andrews. --Robert Horton
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Heartbreakers (2001) (Dol)
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Heartbreakers (2001) (Dol)
Heartbreakers wants to be a distaff variation of Dirty Rotten Scoundrels, compensating for lack of intelligence with ample cleavage provided by Sigourney Weaver and (especially) Jennifer Love Hewitt. This alone should draw plenty of drooling guys who will enjoy the scenery and affirm the movie's depiction of men as lecherous idiots. And what scenery it is! Gussied up in trampy glamour, Weaver and Hewitt play mom-and-daughter grifters with a devious routine: Max (Weaver) lures wealthy cads into marriage, and then daughter Page (Hewitt) seduces them, so Mom can discover the infidelity and fleece the chump in divorce court. They've just scammed the boss of a hot-car ring (Ray Liotta) and now it's on to Palm Beach, Florida, where they'll dupe a wheezing tobacco baron (Gene Hackman) and retire to the good life. Or so they think... Armed with the same airheaded humor he brought to Romy and Michele's High School Reunion, director David Mirkin relies on the clichéd notion that sex turns all men into morons--a conceit that would have worked if the dialogue and sitcom antics were more convincing. As Page's would-be paramour, Jason Lee is rendered intellectually inert, and it's hit-or-miss from that point forward. When the humor hits--as it does with Nora Dunn's rendition of a horrible housemaid--Heartbreakers hints at its full potential. Additional plot twists--not to mention Hewitt's microskirts and Wonderbras--may hold your attention, but you may find yourself harkening back to Steve Martin, Michael Caine, and those happier high jinks on the French Riviera. Singer-songwriter Shawn Colvin has a cameo role as the wedding priest. --Jeff Shannon
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